Rubáiyát of Omar Khayyám (1909)
Illustrated by Edmund Dulac
Rubáiyat of Omar Khayyám was originally composed by a mid-11th Century Iranian astronomer, mathematician and poet - Ghiyathuddin Abulfath Omar bin Ibrahim Al-Khayyami. Fitgerald's Victorian-era adaptation of the original work was based upon his own translation of a Persian manuscript held by the Bodleian Library. Fitzgerald himself made no claims to producing a literal translation of the original text, declaring his own version:
Despite Fitzgerald's own inglorious comments, his version of these classic tales from Persia has become recognised as one of the greatest pieces of Victorian literature. Indeed, the consistent message of the tale - namely, to live life to the fullest whilst enjoying a drop or more of wine - became the inspiration for many Victorian-era artists, including Oscar Wilde and Aubrey Beardsley. |
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On the left, we show a rare copy of Rubáiyát of Omar Khayyám (as translated by Edward Fitzgerald) and illustrated by Edmund Dulac, produced by Hodder & Stoughton (London) in 1909.
This example retains the original Limited Edition decoratively gilt-stamped vellum cover.
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The illustrations prepared by Dulac have been arranged in reference to one of a number of translations of this epic
poem undertaken by Fitzgerald (one that is known to date from 1868).
The review published in The Studio (January 1910) provides a lovely introduction to Dulac's artwork:
Those of us who have followed the successful career of Mr Edmund Dulac are convinced
that few European artists living at the present time are better qualified to illustrate Omar's
Rubáiyat, and we have therefore awaited with interest the appearance of the work. His
drawings for the edition of The Arabian Nights, published a year or two ago, showed him
to be in complete sympathy with Eastern legend, and to possess and aptitude for absorbing
all its mystery and romance. Admirable as that series was, he has surpassed it in the set of
drawings for the Rubáiyat just published. Here he has surrendered himself to the influence
of the great Persian poet, whose immortal work has inspired him to produce some delightful
illustrations in which he has been able to give full play to his great individual talents. His
fertile imagination, his fine sense of design, his unerring draughtsmanship and his harmonious
blending of rich and beautiful colours are displayed at their best, while, almost without
exception, the drawing reveal that dignified restraint so characteristic of his art. The frontispiece,
"Heav'n but the Vision of fulfill'd desire", is a charming study in blues and mauves; while
amongst the other drawings, "Here with a little Bread beneath the Bough", "And one by one
crept silently to rest", "And hidden by the sleeve of Night and Morn", "Oh, plagued no more
with Human or Divine" and "Oh Thou, who Man of baser Earth didst make" are worthy to
rank with the best work Mr Dulac has given us. The volume is excellently produced in every
respect, and should enjoy a well deserved success.
Our Greeting Cards and Fine Art Posters
For connoisseurs of Dulac's work, we have prepared sets of 20 Greeting Cards displaying each of his illustrations for Rubáiyát of Omar Khayyám and on the left, we show an example of how these Greeting Cards appear.
Code: ED ROK CS(20) |
When presented on Greeting Cards, these images are prepared as tipped-on plates - in hommage to the hand-crafted approach typical of prestige illustrated publications produced in the early decades of the 20th Century. Each card is hand-finished and the images are presented on Ivory card stock with an accompanying envelope. The rear of each card carries information about Edmund Dulac, this wonderful suite and the profiled illustration - we have left the interior of the cards blank so that you may write your own personal message.
Should you wish to order a reproduction print of one or more of these images, we have provided some options below. Each of our Fine Art Posters is prepared with archival quality papers and inks - and also accompanied by information about Edmund Dulac, this suite and the profiled illustration.
To purchase, simply click on the appropriate "Add to Cart" button and you will be taken through to our Shopping Cart secured through PayPal. Multiple purchases will be consolidated by that feature and shipping and handling costs to any destination in the world are accommodated by our flat-rate fee of US$20 for every US$200 worth of purchases. |
An example of one of our Fine Art Posters in a superb 22x36'' format |
Of course, should you wish to discuss some customised options, we welcome your contact on any matter through
ThePeople@SpiritoftheAges.com.
In the meantime, enjoy perusing these wonderful images from Edmund Dulac.
The colour illustrations
The 1st Quatrain Wake! For the Sun behind yon Eastern height Has chased the Session of the Stars from Night; And, to the field of Heav'n ascending, strikes The Sultán's Turret with a Shaft of Light
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The 11th Quatrain With me along the strip of Herbage strown That just divides the desert from the sown, Where name of Slave and Sultán is forgot - And Peace to Máhmúd on his golden Throne! |
The 12th Quatrain Here with a little Bread beneath the Bough, A Flask of Wine, a Book of Verse - and Thou Beside me singing in the Wilderness - Oh, Wilderness were Paradise enow! |
The 15th Quatrain Look to the blowing Rose about us - "Lo, Laughing," she says, "into the world I blow: At once the silken tassel of my Purse Tear, and its Treasure on the Garden throw." |
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The 20th Quatrain The Palace that to Heav'n his pillars threw, And Kings the forehead on his threshold drew - I saw the solitary Ringdove there, And "Coo, coo, coo," she cried; and "Coo, coo, coo."
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The 22nd Quatrain For some we loved, the loveliest and the best That from his Vintage rolling Time has prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest |
The 27th Quatrain Alike for those who for To-DAY prepare, And those that after some To-morrow stare, A Muezzin from the Tower of Darkness cries, "Fools! your Reward is neither Here nor There!" |
The 36th Quatrain Earth could not answer: nor the Seas that mourn In flowing Purple, of their Lord forlorn; Nor Heaven, with those eternal Signs reveal'd And hidden by the sleeve of Night and Morn |
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The 40th Quatrain For I remember stopping by the way To watch a Potter thumping his wet Clay: And with its all-obliterated Tongue It murmur'd - "Gently, Brother, gently, pray!"
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The 44th Quatrain Do you, within your little hour of Grace, The waving Cypress in your Arms enlace, Before the Mother back into her arms Fold, and dissolve you in a last embrace |
The 46th Quatrain So when at last the Angel of the drink Of Darkness finds you by the river-brink, And, proffering his Cup, invites your Soul Forth to your Lips to quaff it - do not shrink |
The 55th Quatrain Oh, plagued no more with Human or Divine, To-morrow's tangle to itself resign, And lose your fingers in the tresses of The Cypress-slender Minister of Wine. |
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The 57th Quatrain You know, my Friends, how bravely in my House For a new Marriage I did make Carouse: Divorced old barren Reason from my Bed, And took the Daughter of the Vine to Spouse
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The 60th Quatrain And lately, by the Tavern Door agape, Came shining through the Dusk an Angel Shape Bearing a Vessel on his Shoulder; and He bid me taste of it; and 'twas - the Grape! |
The 68th Quatrain The Revelations of Devout and Learn'd Who rose before us, and as Prophets burn'd, Are all but Stories, which, awoke from Sleep They told their fellows, and to Sleep return'd |
The 70th Quatrain But that is but a Tent wherein may rest A Sultan to the realm of Death addrest; The Sultan rises, and the dark Ferrásh Strikes, and prepares it for another guest |
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The 72nd Quatrain Heav'n but the Vision of fulfill'd Desire, And Hell the Shadow of a Soul on fire, Cast on the Darkness into which Ourselves, So late emerg'd from, shall so soon expire (Frontispiece)
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The 88th Quatrain And that inverted Bowl we call The Sky, Whereunder crawling coop'd we live and die, Lift not your hands to It for help - for It As impotently rolls as you or I |
The 104th Quatrain Yet Ah, that Spring should vanish with the Rose! That Youth's sweet-scented manuscript should close! The Nightingale that in the branches and, Ah whence, and whither flown again, who knows? |
The 110th Quatrain And when Yourself with silver Foot shall pass Among the Guests Star-scatter'd on the Grass, And in your joyous errand rench the spot Where I made One - turn down an empty Glass! |
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